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Women like gertrude stein, georgia o'keeffe and queen elizabeth ; . dinners at the bel canto provided a nice ice-breaker for unattached guests, in that one could always assume a common interest in opera. and thank god for that, as the dining room offered only large, 12-seat, cafeteria-style tables. this was also good for my soul, since, retreat or no, i began the week feeling like the most alone person on the planet. even this temporal, shallow contact with other humans made me feel better. it also gave me a kind of educational mission. i had certainly earned a balls-out, empty-headed escape, but a little cultural enrichment made me feel less like the tide was eating away on my bulkhead. truth be told, before meeting hessie my knowledge of opera was barely ankle-deep. i once took my nieces to la boheme in capitola just so i could make them cry for mimi which they dutifully did ; , and one time i inherited a couple of tickets to a lavish david hockney-designed turandot in san francisco, courtesy of the boss of a man whose name i'd rather not mention. but that was it. still, i felt no need to hide this dilettante status from my bel canto tablemates - and, in fact, found them quite receptive to the stupid questions i'd throw at them. the next day, i took their recommendations to the listening room, and by my fourth day of study i felt like i was getting the hang of it. most of the recommendations traveled along the reliable triumvirate of puccini, verdi and wagner, with occasional side trips into mozart and strauss. friday night, however, i shared a scrumptious swordfish dinner with the margisons, an older couple from chicago who regaled me for hours with plot points, musical highlights and favorite performances from the great italian bel. party poker cheat I also don't want to criticise or moan too much this should be a positive and progressive meeting of people and minds. on the positive side there's a lot for you to celebrate masses of talent, great performance opportunities; there are great supportive record companies here, there are facilities and technical people and a supportive media and great international support too. my first question is: is gaelic music a museum piece to be preserved through song arrangements, or is it also something to be developed and which can grow in the 21st century? my second question is why when there's so much going for you with public interest and financial support, with all the gigs and festivals and facilities etc why aren't you making a decent living? the first question is really for you to decide. however if you want to develop gaelic music then you need to find ways to encourage innovation, writing and performance. then you need to equip people with great coaches, advisors and strategists to do something with it once you're semi-professional. the second question why don't you make money? well, these are some of my thoughts. from my perspective as a manager the industry is really simple. if i think i can sell 30, 000 records or more it becomes financially viable for me and the mainstream industry. anything less and it's a lossleader. but the music has got to have a great angle or a great story to tell. in short, it must be a really great product. you can't just turn up at a label or management office with an idea. however, there are multiple levels to the industry: some artists sell 3, 000 records, some 30, 000 and some 3 million. but today i just want to focus on ideas which help all these artists at the start as this is where it can go very wrong and stop you breaking through this glass ceiling. in terms of working with artists, and with the constituent parts of the industry, it's always a complete nightmare. everyone loathes each other and their opposing agendas: the artist wants to make and sell records, the label wants to sell them at a time and budget which works for it, the publisher wants the record out faster and in more territories, and they need a hit to get the tv ad deals in. meanwhile the agent freaks when the release schedule is put back as the tour is set up and the manager somehow juggles cats to make it all happen often, as benjamin disraeli said, "it's well known what a middle man is: he is a man who bamboozles one party and plunders the other. party poker cheat Travel with care 1. seat belts -- make tags to be hung in the family car as reminders to fasten their seat belts. use construction paper and string or yarn. they may draw seat belt pictures or write slogans on the tags. i.e., a cat has nine lives. you don't. wear safety belts. 2. wherever you go -- buckle up first! 3. airplane pilots and race car drivers wear safety belts. do you? 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Craps tip # 6 never quit after a win. Chapel shroud of turin presentation -- john and rebecca jackson of the turin shroud center of colorado, located in colorado springs, will share their research on the shroud at soldiers' memorial chapel, march 19 from 10: 30 a.m. to noon. the shroud of turin, now protected in the cathedral in turin, italy, is believed by many to be the burial cloth of jesus. the shroud is a 14-foot cloth bearing stains consistent with the wound of jesus described in the gospels. for 30 years, the jacksons have studied crucifixion history and the shroud, and have examined the shroud itself. their study of the shroud is based on scientific methods. john is an air force retiree and rebecca is an army veteran, so they are especially interested in sharing their research with our military personnel. the jacksons also view their visit to fort carson as a way they can support soldiers. the presentation will be followed by a reception in the west wing of soldiers' memorial chapel. attendance is open to the entire fort carson community. anyone interested in history, archaeology, scientific research, physics or biblical studies is sure to find this presentation fascinating. the presentation is free to attendees. this is a project of the catholic women of fort carson. for more information, call kate vanderboom at 576-6396.