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California fair services authority insurance requirements i. evidence of coverage the contractor renter shall provide a signed original evidence of coverage form for the term of the agreement protecting the legal liability of the state of california, district agricultural associations, county fairs, counties in which county fairs are located, lessor sublessor if fair site is leased subleased, citrus fruit fairs, or california exposition and state fair, their directors, officers, agents, servants, and employees, from occurrences related to operations under the contract. this may be provided by: a. insurance certificate - the contractor renter provides the fair with a signed original certificate of insurance the acord form is acceptable ; , lawfully transacted, which sets forth the following: 1. list as the additional insured: "that the state of california, the district agricultural association, county fair, the county in which the county fair is located, lessor sublessor if fair site is leased subleased, citrus fruit fair, or california exposition and state fair, their directors, officers, agents, servants, and employees are made additional insured, but only insofar as the operations under this contract are concerned." dates: the dates of inception and expiration of the insurance. for individual events, the specific event dates must be listed, along with all set-up and tear down dates. coverages: a. general liability - commercial general liability coverage, on an occurrence basis, at least as broad as the current insurance service office iso ; policy form #cg 0001. limits shall be not less than , 000, 000 per occurrence for fairtime carnival rides; , 000, 000 per occurrence for motorized events all types except arena or track motorcycle racing and go-cart racing; , 000, 000 per occurrence for rodeo events all types with a paid gate and any rough stock events; , 000, 000 per occurrence for rodeo events all types without a paid gate and with any rough stock events; , 000, 000 per occurrence for rodeo events all types without any rough stock events; , 000, 000 per occurrence for interim carnival rides, fairtime kiddie carnival rides of up to rides, concerts with over 5, 000 attendees, rave type events all types, mechanical bulls, extreme attractions all types, orbitrons, simulators, and motorized events of arena or track motorcycle racing and go-cart racing; , 000, 000 per occurrence for all other contracts for which liability insurance and liquor liability, if applicable ; is required. b. automobile liability - commercial automobile liability coverage, on a per accident basis, at least as broad as the current iso policy form # ca 0001, symbol #1 any auto ; with limits of not less than , 000, 000 combined single limits per accident for contracts involving use of contractor vehicles autos, trucks or other licensed vehicles ; on fairgrounds. c. workers' compensation - workers' compensation coverage shall be maintained covering contractor renter's employees, as required by law. d. medical malpractice - medical malpractice coverage with limits of not less than , 000, 000 per occurrence shall be maintained for contracts involving medical services. e. liquor liability - liquor liability coverage with limits of not less than , 000, 000 per occurrence shall be maintained for contracts involving the sale of alcoholic beverages. 4. 5. cancellation notice: a statement by the insurance company that it will not cancel or reduce the limits or coverages of said policy or policies without giving 30 days prior written notice to the named certificate holder. certificate holder: or individual events only - fair, along with fair s address, is listed as the certificate holder. for master insurance certificates only - california fair services authority, attn: risk management, 1776 tribute road, suite 100, sacramento, ca 95815 is listed as the certificate holder.
Ever-present cigarette was balanced between two peach tipped fingers. "want some m&m's?" liz asked. surprisingly, kim felt no hunger. she, who never turned down chocolate, suddenly found food repugnant. what she wanted was a cigarette, a diet coke, and to play some games. "i brought fifty bucks, " kim said, "do you think that'll be enough?" "only if you're lucky, " liz answered. lucky she wasn't, and she soon found herself at the atm, the first visit of hundreds she would make over the next few years. in time she would come to think of the how to play poker texas and slot machines as "her" machines. this atm was also her machine. it was the one kim usually used, and unlike most of the casino machines, this one was kind to her. she put a card in and money came out. if only she had confined herself to this machine - its odds were very good. she counted her money; 0. she counted her cigarettes; three left. she had bought a pack only two hours ago. she had better start pacing herself, kim thought. she stopped at the smoke shop on her way back to the slot machines. "i had to get more money, " kim said when she got back to liz. "maybe you should play something else, " liz advised. she followed her friend's advice and roamed the casino in search of a "winning" game. she spotted a bank of video poker machines and decided to them a try. kim sat down, read the flashing message, "play five coins, " and obediently dropped five quarters into the slot. she won a few hands and lost a few hands. in one round she had a full house that paid 7 to 1, which really excited her. then it happened. she was dealt an ace, jack and king of clubs, along with two small. Site the flop pay careful attention as the hendon mob how to play poker texas collective's barney boatman guides phil through an initial hand or two to introduce key concepts including the dealer button, blind bets, the flop, the turn and the river as well as basic betting, checking, raising and folding.
Kellie also thanked the board members who left the board this year due to job changes or expired terms; diane ferber - verizon cason coplin sprint nextel john messall sprint nextel john neuman - alltel our president's award, for the best speaker in 2005 was awarded to rebecca cheek, director of change & learning, from southwest airlines for her presentation entitled "providing superior customer service in a competitive environment". we were thrilled to have rebecca in las vegas to accept her award in person. kellie then went through the 2005 goals that the trma board had set for themselves and the scorecard given for the accomplishment of those goals. kellie went on to explain that the trma mission statement was revised in 2005 and the 2006 board feels it still reflects the mission of trma. the mission statement is: the mission of the telecommunications risk management association is to drive positive change in order to reduce fraud and optimize risk for the benefit of the industry, individual members and paying customers the trma board did feel the need to add some "objectives"; expand trma's membership base to gain diversity throughout the industry exchange benchmarking performance to identify and share best practices cooperate on regulatory legislative issues that impact the industry introduce members to innovative solutions and technology applications. these "objectives" will be the basis for future accomplishments for 2006. kellie then went through the goals for 2006 set by the board to accomplish this year.
Bridge would have scant time to raise an alarm. anyway, his men would already be moving by then. that was the plan's only hitch: they were going into action from a single point of insertion, relying entirely on the element of surprise. as a tactician, willem would have been more comfortable with a two-pronged approach and diversionary action. but the site's logistics controlled and limited their opportunities. and besides, this was not a military situation. his force could expect virtually no armed resistance. lit by a sky broken with gray clouds, the feeble shadow of the bridge framework appeared over the forward end of the hopper and worked slowly down its length, humping over the indentations of the dump boxes. willem withdrew the smith & wesson m76 submachine gun from its long strap under his coat. the weapon was american made but virtually interchangeable with the swedish parabellum m45, with which he was more familiar. he nodded to emilio. "go!" "vamos!" the man shouted. the call was greeted with the clatter and boom of heavy boots stamping against the sheet-metal bottom of the hopper car. the train was barely moving as the colombians poured over the sides and dropped into the cinders and stones lining the track. one man landed wrong. he lurched drunkenly toward the shearing gap where the steel flanges of the wheels knifed against the rail. at the last instant, however, his knee bounced against the wooden tie and he righted himself, scowling fiercely. "fan out!" willem ordered, waving across the yard toward the cluster of buildings: project offices, barracks, mess hall, and recreation room. that was their objective. one man--whose name was julio--had other, more detailed instructions. willem simply nodded to him and said: "telefono." julio nodded in return, walked down to the first switch off the main line, and located the orange-painted box, which was the size and shape of a picnic hamper. he tried to open it and became frustrated with the padlock, which was new and not part of jane's intelligence briefing. the colombian shot it away with a quick burst from his weapon. the staccato echo rolled around the mountain basin, alerting anyone with the ears to hear. willem, who had watched the whole performance, kept his temper over this breach of noise discipline. their tactic of surprise disappeared with the last echoes from julio's gun. but this time the impulsive burst would not cost them as it had that day, long ago, in a san francisco office building. and julio's task was too important to let go because of a mere padlock. julio kicked open the lid and untangled the skein of black plastic tubing inside. this one junction box gathered all of the fiber-optic communications lines which, buried deep against the winter snows, followed the railroad tracks down into the valley. with three quick slashes of his clasp knife, he cut ninety percent of the site's contact with the outside world. the remaining lines willem needed for announcing his demands. the colombian hurried back to join the others. By seth meixner orced from his home by the khmer rouge, svay ken remembers joining tens of thousands of other cambodians choking the roads leading away from the capital phnom penh more than 30 years ago. carrying what few household goods he could grab in the frantic hours after the communist guerrillas' seizure of the city, he clutched his children's hands, terrified they would be swallowed by the crush of bodies. although not yet the painter he would become, svay ken now a frail but driven 76-year-old who has emerged as one of cambodia's pre-eminent contemporary artists remembers desperately trying to commit each moment of his ordeal to memory. "i thought that if i survived this, i would record these experiences in paint to preserve the memory of what i experienced, " he recalls, sitting in the living room of his phnom penh apartment. one of those memories, rendered in a primitive style, shows grim, black-clad patients lining up to be fed out of a communal bucket. entitled khmer rouge hospital, it is among two dozen works displayed at phnom penh art gallery meta house in the first exhibit of its kind, called art of survival. through paint, sculpture, charcoal or pencil, cambodian artists have converged to create works inspired by the 1975-1979 rule of the khmer rouge, during which as many as 2mn people died of starvation and overwork, or were executed by the regime. but organisers say it reaches beyond cambodia's genocide to illuminate some more universal truths about humanity and its capacity to both hurt and heal, and they hope to take the exhibit on the international circuit. "examining the complexity and horror of the pol pot regime is not only important and relevant for the cambodian people it is of great concern for the rest of the world as well, " says american artist bradford edwards. "the weathered cliche `it can happen anywhere' must be applied here, for no nation is immune to the possibility of genocide, " he adds. for edwards, who has set out to expand the show in order to introduce a global audience to cambodian artists, art of survival serves dual purposes: to create art out of one of cambodia's most destructive periods and to open a window onto the country's nascent art scene. "i'm trying to make this exhibition appeal to the widest variety of people, " he said. art of survival spans the range of emotions and experiences that are tied to the defining moment in modern cambodia's history. fear and violence are evident in the more literal works of older artists who survived the regime bleached skulls crowding canvases, or a bound and blindfolded figure bending under the foot of a khmer rouge cadre. younger artists born in the aftermath of the khmer rouge's rule produced more abstract interpretations of the genocide, like vandy rattana's going fanatic, a photograph of squares of light crowded between the communist movement's hammer and sickle and two blocks representing the united states. "it's a political chessboard, " says the 28 year-old. "cambodia's war was not just created by cambodia it belonged to the world. if we talk about war in cambodia we need to talk about vietnam, the united states, " he adds. the exhibition, he says, "gives me a voice to say something about my history". edwards says this dialogue through art is long overdue, and calls the exhibit "an accumulation of years" of collective trauma and recovery. "we've been waiting for an art show that deals with the khmer rouge period specifically. i would call this a 29-year process, " he says. "it is much more than an art exhibit because of the context in which it is taking place, " he adds. the art of survival coincides with efforts to bring former khmer rouge leaders to justice after nearly three decades. cambodia's genocide tribunal expects later this year to prosecute the first of five senior cadres currently in its custody in what many see as the biggest step yet towards the country's reconciliation with its brutal past. the un-backed court gives weight to the art. the art, in turn, is a tangible sign of cambodia's emergence from beneath the shadow of the khmer rouge, says meta house's director nico mesterharm. "art is a marker of development, " says mesterharm, a german documentary maker who has positioned his gallery at the forefront of cambodia's cultural recovery. "we see art of survival as a platform for a community dialogue. we hope that our project contributes to the reconciliation process, " he says. afp and paid to play poker.
More than 50% of regular how to play poker texas machine users are problem gamblers or at risk of becoming problem gamblers. despite both the prime minister and the opposition leader's public statements of concern over the impact of poker machines on families, neither party has taken decisive action. without federal intervention policy paralysis at the state level will continue. that's why family first introduced the poker machine harm reduction tax administration ; bill 2008. family first is not afraid to tackle the poker machine gaming giants and the gambling addicted state governments who are incapable of weaning themselves off poker machine taxes. family first's bill will introduce a new federal tax on poker machines in pubs and clubs to push pokies out of these community venues and restrict then to casinos and racetracks, which are dedicated gambling venues. the tax will be phased in over a number of years to allow businesses to wean themselves off pokie profits. a trust fund will use the tax revenue to help community and sports groups in this transition. family first's bill has been sent to a senate committee for an inquiry. this is a major victory for ordinary australians who can now comment on these proposed laws and document the impact of poker machine addiction. drink container recycling scheme. last week, family first tackled a major environmental issue by introducing laws for a national `cash for trash' recycling scheme in response to state governments poor record on recycling. the drink container recycling bill 2008 is similar to the container deposit scheme operating in south australia where there is currently a 5c container deposit redeemed when the container is returned for recycling. the south australian government have just announced that this will increase to a 10c refund. south australia is leading the way with container recycling at up to per cent, while the other states are at an appalling recycling rate of 35 per cent. a national container deposit scheme makes sense--it's a win for the environment and a big win for the community. it is a win for the environment because we end up with 25 percent less litter on our streets and in our waterways and half a million less tonnes of waste every year as we will see the container recycling rates lifted.

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Huntsville, al fan jannis marie meltonwoosley passed away april 16 at the age of 45. her many contributions to fandom included running constellation's smoking con suite. she is survived by her husband jim woosley, her daughter jeanne marie tidwell, and son jayson kirby woosley. the entire family is active in fandom. [[source: the nasfa shuttle, 5 2001]] longtime fapa member and former toronto derelict boyd raeburn died in august, after several days in a coma. [[source: robert lichtman, joyce scrivner]] in may, douglas adams, creator of the hitchhiker's guide to the galaxy, died in santa barbara of a heart attack. he was 49. hitchhiker's guide began as a satirical radio series in 1978, was later produced for television, and branched out in a series of bestselling books including the restaurant at the end of the universe, life, the universe and everything and so long, and thanks for all the fish. after getting the news, the melbourne sf club paid tribute to adams by holding "hitch hiker's night, " reports australian sf bullsheet #169. also, the club declared may 25 to be towel day, the idea being to carry a towel in commemoration of the author. james harrington, better known as dragon, died in his sleep on july 7. he has been an active member in st. louis fandom for years. he has been a long standing member of trek fan organizations, and often worked as staff on con committees. he attended all the local conventions and was legendary for his potent drink, venom. after a long struggle with heart problems and diabetes, dragon passed on, leaving his behind his wife, joellen, and many friends in fandom. 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The word was pure power, and spoken by one of the demon lord's might, it would have resulted in confusion or death for all who heard it. dannel, mole, and dana would have avoided its potency, their own philosophies of life resonating with the echoes in that rending utterance. but arun, beorna, morgan, lok, cal. and the inevitables, too. they would have been fully affected, either struck down or their minds clouded with madness. divided, weakened, turned against each other, the advantage would have surely swayed decisively to the side of the prince. several of them had various forms of spell resistance, granted by spell or item, but it would not have mattered against adimarchus's power. cal saw all of that in a single instant, the moment adimarchus opened his mouth to utter the word. he also knew that his own intervention had almost no chance of stopping that outcome; he'd seen the demon lord's power firsthand, and despite his own brilliance, or perhaps because of it, he knew what he faced. but their plan had placed the ultimate hope in his hands, and he did what he'd been ready to do, since the confrontation had begun. he had held back his actions thus far, ready to intervene should the prince call upon his dread power. even as he spoke his own word, triggering the final release of the greater dispel on the scroll he carried, he knew he would not succeed. it wasn't a question of confidence; he could feel the power of adimarchus's magic building, how own spell a dagger thrust against a stone wall. how could there be any other outcome? but there was one factor that the gnome did not include in that instant's calculation. the scroll that he used was not his own; he had not had time to transfer the spell into his own books, to make it his. thus the spell was one borrowed, found upon the scroll taken from one of the cagewright strongholds; he'd even forgotten which one. what he did not know, was that the scroll had been originally scribed by thifirane rhiavati. thifirane rhiavati, the mad transmuter with dreams of power and glory, pawn of adimarchus. though the spell was arcane, not divine, so much of what she had become, at the end, was tainted by the madness of adimarchus that the words scribed upon the scroll were as much his words as hers. the power of the greater dispel struck the energies of the word of chaos, impacting with a perfect harmony, for they ultimately had come from the same source. the deadly sound quivered in the air, once, and died. morgan leapt into the air, pursuing his adversary, the rival to occipitus whose madness now bound the two of them together through the very essence of the plane. his sword clove into adimarchus once from below, this time knocking the prince noticeably aside, opening a shallow gash in one violent leg, the golden runes inscribed into the flesh glowing around the injured member. they could see, now, that the angel-form of the demon prince retained the wounds of the earlier battle they'd witnessed on skullrot. true to morgan's earlier words, they could see the scars wrought by the black powers of vhalantru's eyebeams, and the ugly tear where morgan had smote it earlier with aludrial's shard. 1079.

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