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Lawrence durrell's world of death." essays on the contemporary novel, eds hedwig & albert wertheim bock, 67-78. mnchen: max hueber verlag, 1986. notes: reprint of "'not lost but gone before': durrell and death." deus loci: the lawrence durrell quarterly 7.5 . multivalence: the moral quality of form in the modern novel. baton rouge: louisiana state university press, 1978. notes: durrell is mentioned frequently throughout the first half of the text "'not lost but gone before': durrell and death." deus loci: the lawrence durrell quarterly 7, no. 5 1984 ; : 95-104. notes: on miracle ground ii: second international lawrence durrell conference proceedings. see godshalk for response to this paper "the once and future age of modernism: an introduction." forms of modern british fiction, ed. alan warren friedman, 3-14. austin, tx: university of texas press, 1975 "place and durrell's island books." modern fiction studies 13, no. 3 1967 ; : 329-41 "place and durrell's island books." critical essays on lawrence durrell, ed. alan warren friedman, 59-70. boston: g.k. hall & co., 1987. notes: reprinted from modern fiction studies 13.3 1967 ; : 329-341. from the editor. "ekhtiar, shelly." durrell in alexandria: on miracle ground ix conference proceedings, ed. shelly ekhtiar, viii-x. alexandria, egypt: university of alexandria, 2006. fruin, jennifer linton. "the importance of narouz in durrell's hermetic paradigm." deus loci: the lawrence durrell newsletter 2, no. 4 1979 ; : 3-10. fure, jessica. "the white rabbit's guide to the quartet: alexandria through the looking-glass." deus loci: the lawrence durrell journal ns 8 2001 ; : 102-8. furnas, j. c. "with regret for protocol." new york times book review, no. 13 september 1959 ; : 14. notes: review of durrell's stiff upper lip. fussell, paul. abroad: british literary traveling between the wars. oxford: oxford university press, 1981. notes: fussell mentions lawrence and nancy durrell on a number of occasions throughout the book, mainly with regard to corfu "durrell incognito." saturday review 4, no. 3 september 1977 ; : 24-25. notes: review of durrell's sicilian carousel. gadant, monique. "alexandrie, le voyage de l'occident d'apres "le quatuor d'alexandrie", de lawrence durrell." peuples mditerranens mediterranean peoples 37 1986 ; : 67. gage, nicholas. hellas: a portrait of greece. new york: villard books, 1987. notes: portions of the text were previously published in gage's portrait of greece. new york: mcgraw-hill inc., 1971. durrell figures epigramatically and as a topic in both works.
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Pathologized rather than humanized, and subject to external labeling processes rather than empowered by internal interpretations that are truly "heard." this research attempts to remedy some of the shortcomings that merton eloquently noted, using the most current qualitative and quantitative tools. it is in this spirit that we proceed to describe what we hope is a complementary methodology, incorporating both qualitative and quantitative insights from "the fields" in north america. qualitative research was carried out at the university of nevada, las vegas' international gaming institute casino lab, housed on the university campus. at the casino lab, techlink entertainment installed a gaming machine with an attached rgd in august of 2005, and the focus groups were conducted in september of 2005. in all, five two-hour focus groups were conducted with five separate groups of gamblers. four of the groups were categorized and grouped according to their scores on the canadian problem gambling index ferris & wynne, 2001 ; , which labels individuals as nonproblem, low risk, moderate risk, and problem gamblers. a fifth group was added to include former problem gamblers which the research team defined as an individual who had participated in either a gamblers anonymous program or a formal treatment program, and who now had two years of "recovery" i.e., time spent without gambling ; . this group was added because in previous focus groups and interviews, we have found that these individuals have achieved a certain distance from their gambling behaviors, and hence have a perspective that can be unique when compared to those who are still in the throes of an addiction. ultimately, it was our hope that the participants represented a full spectrum of gamblers and former gamblers. participants were recruited via flyers posted in the community, announcements within the campus community, and through visits to the problem gambling center, the community's primary treatment facility for problem gamblers and their families. all focus group participants were given orientation sessions with the device, and then allowed to play as long as they wished except for problem gamblers and problem gamblers in recovery, who for ethical reasons received the orientation session only ; . the machines were set up in "demo" mode, which meant that participants were playing the game and interacting with the rgd without putting their own money into the machine. focus group participants were informed that their opinions were valued positive or negative ; , that the university was conducting an independent research review of the technology, and that the university had no interest in either a positive or negative portrayal of the device. participants were also told that their participation was voluntary, could be terminated at any time, and that their identities would be kept confidential. all sessions were videotaped, transcribed, coded, and then re-coded thematically until a "saturation point" was reached with the data. in qualitative data terms, a saturation point is reached when subsequent re-codings yield no new themes left uncovered in previous codings. what follows in the next session are the discussion themes that emerged, the and caribean stud poker. 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Brought in only about .7 million last year, while spending millions on tv and print advertising. according to pc data, that gave them only about 5.7% of the girl's software market. in hindsight, interval should probably have spent more time researching how to break into a market that is controlled as tightly and viciously as are the new york city docks by organized crime. mattel owns 64.5% of the girl's software market, soon to be 86.1%, after mattel finishes absorbing the learning company, headlined by the barbie line of fluff pieces : barbie ; . while there is nothing wrong with playing with dolls, such software titles as barbie nail designer, barbie jewelry designer and barbie cool looks fashion designer are hardly groundbreakers. they are intended to do one thing; sell more dolls and the "refill" packs for the software titles. the worst moral dilemma faced by a child playing with the fashion designer software is the possible gaff of dressing barbie in white after labor day. oh, the embarrassment! the rockett series went a bit deeper than that, focusing on such issues as how peer pressure affects friendships and sometimes forces hard choices. the whole line was truly a noble effort and should be applauded. like most noble efforts, unfortunately, it was mugged by a bigger brand name with more money to spend. the barbie brand name, teamed with the incredible marketing resources and dollars of mattel, pretty much seals the fate of anyone else trying to enter the market through traditional retail channels. purple moon recognized this and attempted to bypass those channels for venues such as bookstores, wal marts, price clubs and toy stores. unfortunately for them, these are not yet mature software channels and sales were punky, to say the least. nice try, but no dice. being a free market advocate, i'm in something of a moral dilemma myself. the barbie titles show once again that well-known brand names can and do control markets. there is nothing wrong with this, per se, as long as no unlawful anti-competitive actions are taken by the brand name. however, software that entertains but also teaches is something i consider an important issue; i'm probably one of the few in this industry in that camp. it is extremely unlikely, however, that "thinking" titles can challenge the brand names without either the expenditure of tens of millions of dollars over a period of many years, or government intervention. there aren't many companies willing to spend 0 million plus to own market share in a niche market. but i can hardly advocate regulatory pressure on mattel and the retailers to produce more meaningful titles for young girls, however much the lingering social engineer in me might be tempted to do so. that way is a slippery slope to "meaningful" intervention that none of us want to go down. the cure would be worse than the disease. it really comes down to parental choice and supervision, as it always does in these cases. if america's parents would rather their kids play with software that demonstrates the difference between a sweetheart and princess neckline instead of the difference between standing up for what you believe or giving in to peer pressure, there isn't a lot that can be done about it. not without violating a slough of constitutional rights, anyway, and none of us would advocate that. i think we're stuck with the situation until someone decides to spend a lot of money, over quite a few years, to gain some meaningful market share and let parents know they have a choice. if the. |
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Overlord's lair editorial my name is jim by bill snodgrass back when we first seriously started coming into space for the purposes of making money, they had a saying. it was not unlike what they said about north america back in the day. they called it the "land of opportunity" back then. as for space, they told us it was the "frontier of equal opportunity." yeah, right. featured artist serial: deuces wild, "boring ol' bertha" by l. s. king slap and tristan are cooped up aboard an old space freighter, but the old girl proves that the two humans aren't the only ones to harbor secrets and surprises. serial: jasper squad, chapter 3: exclusive serial by paul christian glenn the triumphant return of jasper squad, an rgr favorite and